Dual impact

With Arjun Kapoor's double act becoming the talk of the town in Aurangzeb, Screen explores Bollywood's fascination with double role films in Bollywood

Rika Aash Pathak

The promos of Aurangzeb are creating quite a buzz with Bollywood's latest heartthrob Arjun Kapoor taking screen space as two characters. It's brought back the focus on what was once considered Bollywood's favourite pasttime – double roles. Audiences loved to see their favourite actor don several roles, The stakes of a star doing double role also rose as it was seen as a statement to his or her calibre as actors and popularity. From Dev Anand to Shah Rukh Khan, every superstar has had at least one double role film to their credit. And not every film in that genre was a hit. Film industry experts help decode the lure of about double role films and its performance at the box-office over the years:

Showcasing versatility

Mention double role films, and films like Hum Dono, Ram Aur Shyam, Aradhana, Don, Seeta aur Geeta, Chaalbaaz, Judwaa and Duplicate come to mind. Films that had actors like Dev Anand, Dilip Kumar, Rajesh Khanna, Amitabh Bachchan, Hema Malini, Sridevi, Salman Khan and Shah Rukh Khan giving some of their best performances in it. In fact, there was a time when numero unos of the time had more than one double role film to their credit. For instance, Amitabh Bachchan (Kasme Vaade, Adalat, Don, Satte Pe Satta, Aakhri Raasta) and Sridevi (Chaalbaaz, Lamhe, Khudagawah, Guru, Gurudev). What about it makes the genre so fascinating to actors? “Such films always give an actor a chance to project their abilities,” says Atul Sabharwal, director of Aurangzeb. The fact that an actor's abilities being guaged through a double role film holds true Shahid Kapoor. Popular for his starry good looks and dancing, the star immediately gained recognition as an actor to watch out for with his double act in Vishal Bharadwj's Kaminey; one of the characters that he played as having a speech impediment caught on in a big way.

Reinventing the plot

While actors seeking out double roles to fulfill a need for varied roles remains, what has changed is the treatment and the plot. In the early days, films like Seeta Aur Geeta, Ram Aur Shyam, Chaalbaaz and Judwaa thrived on the standard formula of twins separated at birth. But there were exceptions with Hum Dono, Satte Pe Satta, Angoor, Duplicate, where the lookalikes had nothing in common – not even the same bloodline. Theirs was a case of mistaken identities, giving rise to melodramatic or hilarious situations. Double role films soon got a twist, when it began including impersonations. A case in point for a film like that is Hrishikesh Mukherjee’s Golmaal, where Amol Palekar had to masquerade as his own twin brother to avoid trouble with his boss (Utpal Dutt). David Dhawan opted for a similar plot in his films Coolie No.1 and Sajaan Chale Sasural to bring novelty to his brand of slapstick comedy films. Last year, Rohit Shetty based his film star-studded film Bol Bachchan on Golmaal like situation and made 100 crore at the box-office. Sabharwal shares, “Double roles always lead to interesting situations, whether it’s now or then. Since films are more content-driven now, makers try to come up with interesting storylines for their double role films," says Sabharwal. Subhash Ghai, producer-director of Ram Lakhan, echoes a similar sentiment, saying, "Times have changed, and so have makers, who are now moving away from a standard format. If a double role film is made today, then the storyline would be new and interesting."

However, there have been some film-makers who have extended the double role formula to include multiple characters. While films like Bairaag and Mahaan had Dilip Kumar and Amitabh Bachchan playing triple role based on the lost-and-found formula, Naya Din Nayi Raat had Sanjeev Kumar playing nine roles in a story of a runaway heroine's (Jaya Bhaduri) encounter with nine different characters. In the modern context, films like What’s Your Rashee with Priyanka Chopra playing characters belonging to 12 zodiac signs and Dashavataram with Kamal Haasan playing 10 characters deviated from the standard norm of two similar looking characters. With such films, filmmakers tried to break free from the conventional form and experiment with new ideas and stories.

Money minters

David Dhawan’s Judwaa grossed up to Rs 26.5 crore, Rakesh Roshan’s Karan Arjun grossed Rs 52 crore, Farah Khan’s Om Shanti Om grossed Rs. 149 crore, Kaminey Rs 71 crore, Ra-One grossed more than Rs 200 crore - given the track record it's often a foregone conclusion that double role films are a sureshot hit at the box-office. However, that's not always the case. Some failed to create magic at the box-office, despite the presence of a big star. For every double act of Bachchan like Don, there was a Mahaan, for every Sridevi double role starrer like Chaalbaaz, there was a Gurudev to contend with. So what is the recipe for the perfect double role moneyspinner?

Sabharwal explains, "Double role films were driven by the star factor, irrespective of the storyline. There was a craze among the audience to watch their favourite actors in diverse roles that drove the audience to theatres.” However, David Dhawan who has given double role blockbusters like Aankhein, Judwaa, Bol Radha Bol, Saajan Chale Sasural and Bade Miyan Chhote Miyan, feels that the genre also decides the success rate at the box-office. “I personally believe that crime, thriller works better in double role films. My first double role film Bol Radha Bol had one good character and one bad character, and it worked very well. Similarly, in Chaalbaaz, you had one submissive and aggressive character; the contrast in the characters allows one to experiment more. The audience in turn gets to watch extra of everything in one film. Even my film Aankhen had a twist in the double role,” explains Dhawan, adding that a comic double role means double entertainment and good business. Contemporary director Sabharwal, also feels the same, he says, “Thriller and comedy do well in double role films. My film Aurangzeb is a thriller and with Arjun as lead, we have also got the star factor in the film.” Ghai, on the other hand, feels that comedy of errorrs is the best premise for a film like that. “Comedy of errors have always been appreciated by the masses. Hence, producers love to play with comedy for double role films,” he says.

Sabharwal, however, feels that the number of films being made on dual roles have gone down. "It was always exciting to watch your favourite stars in two different situations in the films. But in last ten years, the number of dual role films have gone down. The last film that I saw on those lines was Kaminey,” he observes.

Film-makers concede that it's because the markets has changed from star driven to a content-driven market. They believe that only a good screenplay will work better now. "New Hollywood formats will be adopted in future. Like Devil’s Double is one of the classic examples that can be adopted,.” states Dhawan.

Bollywood filmmakers encashing on Southern Blockbusters

South remakes is the latest trend adopted by Bollywood. Almost, every south blockbuster is being remade in bollywood. The box office collection of south remakes speak volumes why  Bollywood filmmakers are adopting Tollywood stories. Popular hits like Wanted, Bodyguard, Housefull 2, Ghajini, Singham and Rowdy Rathore have grossed close to Rs. 650 cr. This has reinstated the belief of filmmakers in south remakes, which started with Jeetendra and Sridevi starrer Himmatwala. Later, filmmakers like Mani Ratnam, and lately A R Murgadoss and Rohit Shetty have proved that southern remakes can still get the cash registers ringing. Renowned production houses are showing keen interest to invest in Tollywood remakes.

Adapting south movies and presenting it with a Bollywood Tadka have struck the right chord with the audience. South remakes like Signham, Force and Ghajni  have brought back the charm and feel of the 80’s and 90’s action era.  The raw and heavy duty action of these movies were highly appreciated by the fans. Filmmakers believe that a compelling story that has a universal theme irrespective of its star cast can pull masses to multiplexes as well as single screens. Bollywood is a huge platform to reach a wider audience and also a great medium for heavy revenue generation. Distributors these days don’t think twice before investing in popular remakes, given the past record of successful remakes. The southern remakes that are lined up for release has created a stir among many Bollywood filmmakers. At present, Southern remakes seems to be ruling the roost and the upcoming lineage of remakes from big banners only goes to show that the current trend will stay for long.

Next Week - A Bliss For Film Buffs

After a lingering dry spell that lasted for a couple of months with just one or two good movie releases a week, movie-goers have a reason to rejoice. With stack of movies piled up to hit silver screen, movie buffs can gear up for a fun-filled weekend! Anurag Kashyap is ready to heat up the box office with two interesting releases - Aaiya and Chittagong. Both movies belong to different genre. Ram Gopal Verma is all set to give you goose-bumps with his horror sequel Bhoot 2. The list doesn't end here. Makkhi - a sci-fi movie, that created buzz in South recently is all set to release it's dubbed Hindi version in the forthcoming week. Enthusiasts can quench their thirst for action with Taken 2 and Looper hitting the theatres same week.

Tollywood betimes Bollywood

It might sound bizzare! But it's true. Bollywood is well known for the glitzy, glam and money it puts into industry but down south Tollywood is no less. The recent films released in Tollywood have taken a toll over many big-budget Bollywood films. The reason is simple, originality and meaningful stories. Now that doesn't mean that Bollywood doesn't procreates meaningful stories, but look at the list of films released lately and you know. Most of the Hindi films are either taken from the Hollywood flicks or Tollywood (latest trend). It has been a tradition followed since the begining. Twenty years back most of the Bollywood flims were adapted from the Bengali cinema then came a romantic era where we found some original stuff. This was followed by gen-next who thought that re-making the Hollywood films in Bollywood ishtyle would work with the audience. Last but not the least is picking up hit films from down south which is working really well.
The reason is simple that there is still some originality left in the south. Though they too have picked handful of meaningful Bollywood films and remade it to huge success. Bollywood is going through a phase, where the directors and producer believe that showing skin and black comedy can get audience. Whereas down south audience have a hunger for entertainment. They believe in complete packaging which has action, comedy and romance too. And yes not to forget a social angle too in their films. It's also the craze people carry for their favorite stars that has made Tollywood such a big industry. For Bollywood they need to take some lessons from Tollywood rather than borrowing stories from them.
Please comment on this........this is incomplete but I would like to know whether it's sounding interesting. Lately I have been watching some blockbuster cinemas of down-south and this are the things I have noted.....

TWEET TWEET on TWITTER

Tweeting on TWITTER is the favorite pass time of all the artists, superstars of Bollywood. If you are not able to communicate with your favorite stars well then here is a networking sites where you can find all your favorite stars. It's rather difficult to understand that whether the stars really enjoy tweeting on this site or is it one of the simplest way coming up, of self-pr. Well the stars need to know that twitter is not the only social networking sites we have where they can communicate with their fans. But nobody can deny the special features twitter offers. Uber twitter, twitterteriffic, echofon, tweetdeck, etc, etc... are the special softwares which allows to access twitter from various handsets on the go. So our film fraternity is always connected to the fans. Hold on, hold on... this is not the it, it allows you to get connected to other well-known social networking sites like facebook, myspace, etc. Thus, Twitter allows our favorite stars to connect with such social networking sites as well to various fan communities to communicate with their fans. Communicating should be looked as a huge word over twitter because our favorite stars are not just communicating or sharing but are also publicizing themselves, their products, etc. Twitter has become more of marketing tool. The latest example to follow is that of Karan Johar tweets. Of course, he is holidaying and keeping his fans updated about whatever he is doing but he is also continues to speak about MNIK. Lets forget this, Konkana Sen Sharma too is constantly posting the videos of her mom's forthcoming film, The Japanese Wife. Heyy, me to watched the first promo and loved it. It's not right or wrong but we need to see that this is a highly efficient way of promoting the films, stars, etc. Lastly, it feels great to communicate with the stars on Twitter so Tweet Tweet on Twitter.

Dubbing industry

Yesterday, i was watching this channel UTV Action and just realised that all of a sudden there has been a hike in number of channels which premieres the dubbed movies or shows. Dubbing industry has been a big industry since very long time but now it's getting better with the number of channels like Firangi, UTV Action, Nickelodeon, etc. I remember watching shows on Animal PLanet, Discovery, etc which were dubbed that too selected shows. But now you have complete channels where all the shows are dubbed. So my point is simple that now we have a new entertainment industry booming that is of dubbing. It was just a observation anyways.

My Name is Khan

The last movie i saw was my name is khan(mnik). Okay when i started watching i was loving it to be very honest but the twist itself of killing that poor kid was not fair for me. Maybe i m interfering with the story or idea of director but it's my pint of view. Okay the message was there in the film but what exactly was going exactly. I found the editing poor too. And something was missing too. Though SRK was in his best form and has had very good special moments like one where Kajol asks to marry. But overall the movie was not that great for me guys.